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One of the iconic representations of the digital age is an image of the ubiquitous digital screen, represented as a grid of brightly-lit pixels.

This, like many of our other traditional perceptions of digital and interactive experiences, are either changing or being replaced altogether as we enter the post-PC era. New devices have such high resolution displays.


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These new devices are radically transforming what is possible in digital visual design and this has radical implications for digital typography.

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A canvas where curves are curves, not ugly pixel approximations of curves. A canvas that begins to blur the line between what we consider to be real.

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Now that we have screens that are essentially print quality, we have to reevaluate these conventions.

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